3. 유조선 전체가 DOUBLE HULL로 만들어짐.
유조선의 사고로 인한 바다에 기름 유출이 많아져 이를 방지 하기 위해 CSR(유조선 공통구조규칙)이 발효되면서 일부만 DOUBLE HULL로 지어지는 타 선종에 다르게 선박의 거의 모든 부분이 DOUBLE HULL로 설계되어 건조됨.
4. Engine room 과 Cargo Hold 사이에 void 공간인 Slop
bridge.
l was just standing there
looking out to sea.
l couldnt bear look at that island anymore.
All of a sudden l noticed something, little
black specks crawling across the horizon.
l looked through the glasses
and it was a formation of our ships...
...that stretched for miles.
Carriers, and battleships and cans.
A whole task force, Doc.
Why didnt you break me out?
lve never seen a battleship.
deck.
All ahead full.
Do... Does this, uh,
look infected to you?
Oh!
Quiet, you.
Gunfire in the cell bay!
Open a channel.
Hes loose on Deck C!
Red alert.
Seal off the deck!
Security,
converge on door seven!
Deadly force authorized.
Fire on sight!
There he is!
Security to Bridge.
Its in the ventilation system.
Hes headed for the power...
grid.
What was that?
I dont think hes
on the ship anymore.
C
deck
upon arrival!
Ill be on the bridge outside.
This is the enforcer.
Make a ready deck.
We have an emergency inbound.
- - switch to button three
for approach.
Uh, roger that.
Button three, Devil - - .
Gear is down.
I got to let go
just for a second.
Come on.
I can do it.
-Got to hang on.
-Im okay, Jakey.
Hang in there, shipmate.
Were gonna make it.
-Now keep the faith.
-Ill make it.
No strain,
deck -- tables, gaily colored parasols, sun bathers.
One of the latter is REGINA LAMPERT, a lovely young girl.
She is, besides taking in the sun, involved in her favorite
activity -- eating.
Then -- a dark, ominous shape intrudes in the f.g. FOCUS
CHANGES to bring into sharp relief a revolver -- shining,
black and ugly in the sunlight.
REGGIE, unaware of her danger, continues to eat.
The finger t
deck, hustles after his escort.
CUT TO:
INT. SALVAGE SHIP - LATER
Norman follows a SEAMAN, 20s, as he carries Normans duffel
bag along the narrow corridors belowdecks...
SEAMAN
You have any other gear, sir? Watch your
step.
NORMAN
Id like to call my family.
SEAMAN
Well get you settled in quarters,
sir. Youre to remain there until we
send for you.
NORMAN
I want to get started right now.
SEAMAN
Wel
deck: Eco-warriors peer through high-powered binoculars and video cameras. Among them: An intense WOMAN. A RUSSIAN man with a scraggly beard. A surly BLOND MAN, who monitors a Geiger counter. All wear heavy parkas against the gray cold.
BLOND MAN
Can anyone make out the registry?
WHAT THEY ARE WATCHING: A distant SALVAGE SHIP, moored inside the harbor. Its hoist is swung out over the sea. Flood
bridge over a bubbling brook. With dark nonchalance,
Father and Mother each grab an end of the carriage and
heave it upward.
4 EXT. THE CARRIAGE--NIGHT 4
swirls in the air and splashes down into the small river.
Right side up, the carriage gently rides the tranquil
rapids out of the park area. It bobs through an open
sewer tunnel pipe.
5 INT. THE SEWER--NIGHT 5
The carriage innocently slides thro
deck of the main cabin: Four crew
lockers in a forward section, countless more in back. But the
deck is canted at a sick angle and ALARMS SCREAM everywhere:
The world is dying around her.
Legs wobbly, shivering like a flu victim, Fry stumbles to the
next forward locker. Its riddled with holes. One DEAD CREWIE
is seen through fractured plexi, body pocked and bloodied. But
in the next cryo-locked..